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Paint Beautiful Hair in Your Acrylic Portrait
Before We Begin
Welcome! (4:06)
Supplies and Materials Needed (8:30)
What's Coming Next?
Preparing Your Canvas to Make it Easier to Sketch
Preparing Your Canvas, Steps in Written Format
Gessoing Your Canvas (9:03)
Sanding Your Canvas for Extra Smoothness (4:47)
Gridding Your Canvas For an Accurate Sketch (6:28)
Sealing in Your Grid So It's Easy to Sketch and Erase (5:12)
Sketching Hair and More for an Accurate Portrait
Reference Photo
Establishing the Outlines, Part 1 (8:27)
Establishing the Outlines, Part 2 (3:47)
Sketching the Basic Forms of the Dog's Features (5:19)
Sketching the Basic Forms of the Girl's Face and Clothing, Part 1 (9:54)
Sketching the Basic Forms of the Girl's Face and Clothing, Part 2 (4:27)
Drawing the Details on the Dog (14:05)
Drawing Details on the Girl's Face (8:59)
Drawing Detail on the Hair, Part 1 (7:12)
Drawing Detail on the Hair, Part 2 (11:10)
Drawing Detail on the Hair, Part 3 (11:30)
Drawing Detail on the Hand and Upper Portion of the Dress (9:57)
Drawing Detail on the Lower Left and Middle Portion of the Dress (8:19)
Drawing Detail on the Lower Right Portion of the Dress and Sandals (12:58)
Sketching the Background and the Final Details (17:57)
Adding Shadows Under the Feet (0:57)
Celebrate Your Finished Sketch! (1:06)
Foundations: How to Start Your Painting Off Right
Intro to the Painting Process (1:49)
Whiting Out the Grid Lines (12:28)
IMPORTANT: Fixing Your Sketch Before Sealing it In! (5:35)
Sealing in the Sketch (8:47)
Applying the Muting/ Toning Layer (11:13)
Beginning Confidently by Painting the Foundational Layers with Accuracy
Discussing Values and Asking a Blessing Upon You (2:13)
Setting Up Your Palette (0:46)
First Layer: What Color to Use and How to Apply It, Part 1 (10:40)
First Layer: What Color to Use and How to Apply It, Part 2 (13:28)
Second Layer: Building on Top with a Warmer Color, Part 1 (10:12)
Second Layer: Building on Top with a Warmer Color, Part 2 (17:23)
Adding More Structure to the Foundation
What We Are Trying to Accomplish at This Point (5:05)
Third Layer: Adding a Yellow Glaze, Part 1 (10:59)
Third Layer: Adding a Yellow Glaze, Part 2 (9:20)
Fourth Layer: Adding a Raw Umber Dark Glaze, Part 1 (11:46)
Fourth Layer: Adding a Raw Umber Dark Glaze, Part 2 (9:48)
Fourth Layer: Adding a Raw Umber Dark Glaze, Part 3 (6:55)
Fifth Layer: Adding a Burnt Sienna/ Raw Sienna Glaze, Part 1 (11:37)
Fifth Layer: Adding a Burnt Sienna/ Raw Sienna Glaze, Part 2 (10:41)
Adding Richness to the Entire Portrait
Our Next Steps (1:47)
Darkening the Background to Add Equality to the Portrait (7:20)
Warming up the Fur and Hair with a Glaze (8:17)
Darkening the Foreground to Increase Contrast (6:00)
Adding Some Depth to the Creases on the Girl's Dress (11:15)
Darkening and Refining the Shadows in the Girl's Hair (16:45)
Adding a Green Glaze to the Background (4:30)
Working from Dark to Light
Intro to this Lesson (2:51)
Darkening the Darkest Values for Maximum Contrast, Part 1 (10:02)
Darkening the Darkest Values for Maximum Contrast, Part 2 (12:41)
Darkening the Darkest Values for Maximum Contrast, Part 3 (13:14)
Transitioning From Darkest Value to Mid-tone, Part 1 (8:40)
Transitioning from Darkest Value to Mid-tone, Part 2 (14:42)
Darkening the Background to Match the Foreground (6:18)
Adding a Vibrant Glaze to the Fur and Hair (8:07)
Wrapping Up this Lesson (1:20)
Increasing Contrast Throughout
Where We Are At (2:06)
Adding Slightly Darker Tones to Highlights in the Dog's Fur (8:16)
Developing the Skin Tones (6:38)
Adding Contrast to the Girl's Dress (7:31)
Darkening the Trees in the Background (9:08)
Bridging the Shadows to Mid-tones in the Fur and Hair (6:32)
Adding Another Glaze to the Background (6:41)
Developing the Foreground (7:12)
Darkening the Fence (5:01)
Adjusting Value of the Girl's Dress (7:03)
Working on Skin Tones of Face and Arms (5:17)
Adding Initial Highlights to the Dog's Fur (8:00)
Wrapping up this Lesson (2:22)
Working in More Contrast and Painting Details
Intro for this Lesson (2:42)
Darkening the Background Substantially (5:55)
Darkening the Shadows of the Girl's Hair (11:42)
Shading in the Foreground (8:10)
Working on the Dog's Fur and Girl's Hair (13:57)
Smoothing out the Skin Tones (12:39)
Hair: Bridging the Gap Between the Dark and Light Values (10:17)
Adding Warmer, Pinkish Skin Tones to the Face (11:34)
Adding Warmer, Brown-Orange Tones to the Dog's Fur (16:05)
Where We Are At (1:16)
Last Few Nuances
Discussing the Last Lessons of the Course (2:31)
Tying Shadows into Mid-tones on Girl's Hair (14:07)
Painting Nuances on the Dog's Eyes and Ears (12:17)
Dialing in Nuances on the Girl's Face: Cool Tones (13:00)
Dialing in Nuances on the Girl's Face: Warm Tones (13:58)
Refining the Girl's Arms and Hand (9:47)
Adding Reflections to the Dog's Eyes (13:16)
Refining Folds in the Girl's Dress, Upper Half (10:26)
Refining Folds in the Girl's Dress, Lower Half (24:55)
Adding Detail to the Shoes (10:41)
"Bringing the Painting Home"
Checking in Before We Finish Up (1:57)
Painting in Strands of Hair, Upper Half (9:19)
Painting in Strands of Hair, Lower Half (9:24)
Texturing the Pavement in the Foreground (11:27)
Adding Last Few Details and Signing the Painting! (9:57)
Final Thoughts and Thank You (2:02)
Fourth Layer: Adding a Raw Umber Dark Glaze, Part 2
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